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A grand architecture in miniature defines the way generations of the sweetgum tree last into the future. Nature designs the perfect time-travel vessel for every environmental niche – this one is spiked, to deter predators from its cargo; hollow, to float; hard to withstand crushing and plentiful – coming in great clumps to ensure survival. It is related – if not in toughness then in strangeness – to the wild walnut, the magnolia pod, the coconut. These craft fall by the hundreds at the children’s playground, looking green and ripe until the California air starts to dry them seconds later, and they begin to split and brown in the sun, gaps between their spikes widening from pinhole fissures to gaping wounds, from which seeds spill like thick, tan grains of sand.
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The madness of the “Christmas season.” drapes over sanity throughout December like a perfumed scarf on the only good lamp in the room. People behave like apes, focus like hummingbirds, drive like children. There are years when I loathe my fellow man from Dec. 1 to 20. It’s getting worse.
A bit of perspective:
Just watched A 1920s cartoon: Happy big-band soundtrack. Exterior, night. Snowy road. A cheery, bearded old potbellied man pulls up to the orphanage. The boat propeller on his handmade snowmobile churns through the powder. At the pull of a lever, the vehicle spits out an anchor and chain and slews to a stop. He hops out with a sack of junk and peers through the window to see dozens of miserable orphans, some trudging sockless across the bare floor, others howlingly hungry. The old fellow leaps through the open window, sheds his overcoat and boots, and dumps his cargo on the floor, a jumble of dented saucepans, busted chairs and household tools that have seen better days. He sets to work, flipping over a washboard, straightening the hooks on two stout wooden coat hangers and jamming them into its bottom for a frame, and slapping a pair of barrel staves onto them. He gobbles a handful of nails, and spits them into place, nailing the staves to the frame – voila – a sled. Before long, the kids are playing happily – one orphan’s riding an old rocking chair with a hobby-horse head. Three more are playing with an electric trainset made of crockery – the steam engine a coffee percolator chugging along on saucer wheels with bent-fork cowcatcher. The old man slips on a Santa costume. He shoves 10 closed umbrellas together, the tip of one into the handle of the next, and opens them all at once – instant Christmas tree, and he twirls it on its bottom handle and flings decorations onto it, then lights. Here the cartoon tree changes to photography of a real tree superimposed into a roomful of cheering cartoon orphans. The lights go out, the tree glows, the music swells. Iris to black.
Time was, Christmas was this magical 8- or 10-day period of parties and caroling and log fires and spiced cider. Time was, it was still the birthday of an important, humanitarian prophet whom many believed divine.
Time was, fun could be had just by having fun. Time was, we spent hours preparing forts and ammo for 10-minute snowball fights instead of staring into a glowing box with another box in our hands while slumped in a chair. Twitching. Alone.
Time was toys were anything you could have fun with.
Here’s a product of its times: A ball (easy enough, but wait …) A ball made of hi-bounce rubber. Hi-bounce, acid-green rubber. Translucent hi-bounce acid-green rubber. Molded around a sealed core that contains batteries, LEDs, printed circuitry and a motion-trigger. With nipples (much like this). And blue strobes that blink when you bounce it (much like this). It’s as instantly fascinating as this, and will last thousands of times longer.
I could have fun with either one. But I’ve been conditioned to enjoy twitching.
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This is Mom. (Ed: A mom, not mine). She picks this outfit when she’s not sure what to expect, but is told, “wear something casual, but nice.” Is it the mechanic today? The vicar? The PTA president? Jury duty? She has to be ready for anything. A home room visit? A bake sale? A sit-down with her daughter’s probation officer? She has honed this smile over many years, so many hundreds of sit-downs and face-to-face and heart-to-hearts. Her nostrils flare, her eyes open a little wider – she’s learned to tamp down her natural nervousness, breathe a little more evenly. You never know what they’ll say, you try to be prepared. “Mrs. ________? I have some news about your son?” Easy, easy. The conversation could veer any direction now, like a dodgem car that loses a wheel. “I think you should know …” Wait for it. The other kids look up to him. He’s being awarded a special honor, a jacket patch for good citizenship. He’s had a little fall in the gym, nothing serious, tapped his head a bit, but he was never unconscious, no, he’s fine, fine.” She invites them in. Offers tea. Roots around in the cupboard for the box of dark-chocolate Lu cookies that she’s been snacking on oh God I hope there are at least half a box’s worth left don’t panic don’t panic. “Why, what a surprise to see you here. One lump or two? ” She worries that she’s too casual, not casual enough. It’s her most versatile outfit. The silver tongs are proof against tragedy it’s all right you’re being silly, the two of them are fine, just a little scared. Was there something in their lunch box that caused trouble? Something in their lockers? She likes wearing the outfit to the eldest one’s soccer games, the youngest’s dance recitals. Only sometimes does she wish she could wear something more daring – the suede pants, the photographer’s vest, the sweet little French beret. She smiles, just a little wider now, and listens – ready, at least, to listen.
She’s about six inches high, hinged just at the hips and shoulders, with a completely rigid neck. They’ve done her no favors, rendering her pelvis and legs in two different colors – bad manufacture, not bad wardrobe choice, Lord knows.
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Picture this: At the core of a package rides the cargo – an art project that’s unimportant to this exercise: as they are unloading the second runner-up’s 200-pound piece – all brass wire and ceramic and animal bones – they lose hold of it at the top of an extremely long hill in San Francisco. Barreling downhill in a stout wood crate on wheels the cosseted thing goes, galumphing airborne at the cross streets, and slamming to the pavement again. It hurtles toward the bay. Around it thousands of fragile, near-weightless bits of lab-cooked polystyrene jostle, hold back the blows of the street, the cars it sideswipes, the lampposts and newsboxes that leap up to trip it. The crate has caster wheels on all six sides, so no matter which way it tips or tumbles, it continues to roll. It gains speed, and the thing inside bounces a little harder, and more eratically. The jouncing tumble carries it cartwheeling across Commonwealth Avenue and it smashes against a bollard and explodes. The payload tumbles unharmed off the wharf’s edge and into the bay. The peanuts, borne aloft by the chill winter wind, coalesce in breeze pockets between buildings, dancing merrily in little vortexes of pink and white. Before long, they are blown into a storm drain if not directly into the ocean. They surf the Pacific current cycle for a year, visiting the upper coast, the south Arctic Sea, lazing in surface-borne schools across the shipping lanes of the pacific rim. Here they entwine with a kelp mat for a year. There, an army of children materializes, committed to cleaning up the beach in high winds, and they send more aloft than they bag. And on they blow, impervious to rain or bacteria – a perfect solid pollutant.
Styrofoam peanuts are a good concept, a horrific reality. Strength in numbers, goes the principle. Fragile, near weightless alone, they shelter delicate, breakable goods from home, they are easy to lose hold of, hard to corral, difficult to get rid of properly and essentially impossible to recycle. Newer peanuts – made of cornstarch – are meant to be biodegradable. Pop one in your mouth for a cocktail party stunt. They taste something like cheeseless Cheet-Os.