This threaded, case slotted nugget of galvanized steel is smaller than a pencil eraser.
Somewhere in my house, medicine something is slipping because this fell out of it.
I won’t know exactly what that is until it falls apart.
I’m waiting.
It figures that a freakishly shaped girl doll – one of the greatest, ailment most successful toys of all time – would have such cute props.
One day, cheap the endless toy-surf that washes through this house coughed up this itty-bitty soda-fountain treat, doctor and I had to ask my 6-year-old daughter what it was.
Somewhere in China, a low-paid worker pulled a plastic rackful of these out of an injection mold and hung it to cool. Another worker likely cut it loose, and a third daubed its top with creamy white paint …
(more…)
ENLARGE
This is the spiritual brother of this.
It floated in off the Sound to the easternmost tip of Long Island, viagra order where I found it on Christmas Eve.
A chill 34-degree wind bathed the pebble beach there. We trudged, store two families, online to the farthest reach, where plovers stood pointed upwind.
We plucked things from the translucent-wet gravel, including this.
Somewhere earlier, a fish probably decomposed straight off of it, weeks after it had burst free from the snare, tearing part of it from the would-be jailer’s rig.
But the fish had escaped only to spend its final hours suspended beneath the mirrored world of air, hanging from a chunk of styrofoam, a hook and a few inches of monofilament, pickling slowly to death in its own growing CO2 levels and hunger.
Amid the hard-packed, online shit-strewn dirt at one hilly intersection on our way home today, illness this gleamed up at me.
Someone lost an ocean liner. You can hold it in your hand:
Sleekness, power and gross tonnage expressed in a few grams of blow-molded thermoplastic.
Somewhere, either a toddler lost track of a toy he hasn’t the attention span to miss, or a parent or nanny grew tired of picking it up and left it in the trash, leaves and street-dust – rudderless and adrift.
He’s a little feller. Inch long, approved tops.
Someone took a swipe at his eye and mouth areas with a 2-hair brushful of gold.
Came out of an Easter egg that one of us hid in the bushes this morning, until my son found him.
And gave him back to me.
This quarter may or may not be involved in a death.
This quarter may or may not be worth $2.00.
This quarter may or may not be worthless.
This quarter was minted in Denver near the end of a 32-year run of silver quarters, information pills and is barely worth the silver it contains … (more…)
I found a little knob of dried mud clinging to a rake today while cleaning the garage.I pulled it off and found these two time travelers, abortion forever locked in their coccoons, waiting to be born as wasps. You can see the larvae through the membrane – still as stones and doomed to a future different from the one that was planned.Maybe the winter killed them.Maybe they’ll hatch out on my desk. Must watch now.
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Science fiction writer Bob Shaw in 1968 imagined “slow glass” – a substance that took a long time to transmit light. Manufacturers would set black, lightless panes of it up somewhere gorgeous for a few years to soak up the view, then sell it to someone who wanted a “scenedow” that showed that view. (Read the haunting Light of Days)
This is nature’s version, a transparent rock – hydrated sodium calcium borate, or ulexite. Its silky crystals line up in perfect parallel, piping light straight through like fiber optics. You can find it in the arid playas of the American Southwest. Or you can pluck it from the bins of any good mineral shop, where it usually lies in dull anonymity beside pyrite, bauxite, copper and other baubles sold to schoolchildren for a dollar. If you’re religious, it is proof of the divine touch. If you’re agnostic, it is proof of the earth’s sense of humor.
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Divans. Bobby sox. Fondue dishes. Poodle skirts. Cocktail shakers. Gingham tablecloths. Highball glasses. Swizzle sticks. Meerschaum pipes. Waffle irons. Ice crushers. Condiment squeeze bottles. Tiki mugs. Doo-wop 45s. Tupperware. Demitasses. Poker chips. Bridge mix. Tulips. Ambrosia. Corn forks.
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Physics is a bitch. Some things won’t move. Rust, gravity, torque, inertia. Constants and inevitables. A screw’s tension in its threads mean the difference between finding a screwdriver and shredding your fingernails. Loose head bolts will cripple a car’s engine in a cloud of vapor-filled exhaust – water in the oil sump and the bugger just quits. Without the lever and pulley we’d all still be working in single-story mud huts. Wheels power the planet. It’s a human thing, this reliance on tools. The need, this task: that stretch of unwanted concrete, those rocks, this massive stake that needs burying. Your nerves fire and your muscles shift as you pick it up, and something primal switches on in your hindbrain: This is it. This ought to do the job. You raise it a foot or so, take a few test blows: Pure, unfettered transference of kinetic energy, your power magnified through the impact, not a microjoule wasted and the target undeniably shifted. A faint smile creeps into your mouth. Your jaw tightens. You raise it back over your shoulder, behind your ear this time.
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Booze drenches and lubricates human endeavor. We like a good drink with friends. We think about drinking. We try not to drink alone – more to avoid stigma than to protect ourselves. We do huge, epically stupid things and memorialize our stupidity. We kill each other. We die. We conduct elaborate rituals around it. And we fetishize it, for what relgion would be complete without tools and talismans of belief?
Mass-produced of thick glass, stamped aluminum and silkscreened red and white paint in the 40s and 50s, this is a codex of devotion to the church of alcohol. Wield it with confidence, strong in your faith that these commandments shall rightly deliver you and your fellow acolytes unto a state of grace. Or whatever it is you’re chasing with drinks.
| BACARDI 1 part Bacardi 1 part lemon juice add one dash grenadine to each serving |
DUBONNET 1 part Dubonnet 1 part dry gin Add one dash bitters to each serving |
SIDE CAR 1 part dry gin 1 part creme cocoa 2 part cream Less cream may be used to suit taste |
| BRONX 1 part dry gin 1 part dry vermouth 1 part orange juice For sweet cocktail substitute Italian vermouth |
MARTINI 4 parts dry gin 1 part dry italian vermouth Add two dashes orange bitters to each serving |
MANHATTAN: 1 part rye 1 part Italian vermouth Two dashes orange One dash Angostura bitters |
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Beached here on your sofa, your eyes go glassy imagining this: A hard-wired planet, paved with printed circuits. The change renders all communication routes – ad slogans, song lyrics, quarrels, rumors, shouts – as green fiberglass boards overlaid with zigzagging copper strips. Humans solidify as nodes in the structure, communication routes between them hardening to electronic channels as signal and noise vanish beneath a carapace of circuits to the level of speeding electrons, invisible and alive. All is green and shiny brown, emitting a fractal, roaring crackle like the sound of a skater’s weight on a just-frozen lake, as the world crystallizes and hardens, made a perfect network of conduits for information. The world made flesh as data-driven hive. True solid state. It throws off a hummm and a hideous heat.
The human race is not yet drowning in circuit boards, but with the 9-month obsolescence cycle of the printed circuit, the ready supply of worthelss computer boards is clogging our landfills and inspiring artists, entrepreneurs and waste-management worriers alike.
A handful of clinical study of ways to dispose of dead circuit boards.
Clever companies like CompuNote capitalized on the boards’ essential worthlessness and rigidity, and came up with remanufacutred itemse like clipboards and purses and money clips.
And more poetic souls have slapped them onto art cars, while the rest of us just sort of heave box after putty-colored box into the dumpster, figuring the city will take care of it.
These drink coasters are yet another idea … or an artifact from a bedazzled fantasy.
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Dirt, roots, husks, peels – all fall away to the sharpened blade-slot of this thing. Raw utility is one of the most alluring qualities of a simple tool, and there is nothing so elegant as a design from antiquity that survives even in modern versions of an ancient tool for the simple reason that the design was – and remains – the most efficient expression of a simple machine. The age of this thing is not known, but it was well-crafted sometime in the middle of the last century, of solidly chromed steel cut, punched and wrapped around a torpedo handle of lustrous, swirled red bakelite.
Glorious stuff, bakelite. I’m drawn like a magpie to singular things made from it, as I’ve pointed out on a few occasions,
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Early 1960s, I’m guessing; A simple doodad made by Kohner Toys to show off VariVue” – the lenticular technology that made static billboards, toys and flickering Jesus postcards come to life. The near-encyclopedic VariVue.com says far more than I ever could:
In the late 1930’s, the first multiple image lenticular image was formed and this was the seed that started the VariVue company. During this time, VariVue coined the name “lenticular”, to describe their linier lenses, “Winkies” to describe our ever popular blinking eyes and “Magic-Motion” to describe any lenticular image containing motion. By the late 1940’s, VariVue had become a ousehold name by producing millions of animated and stereographic lenticular images which were available everywhere. These images included everything from wall hangings, to record album covers, CrackerJack prizes, greeting cards, post cards, political buttons and so much more. By the 1950’s, VariVue’s lenticular images had become a craze and many, if not most famous personalities of the time, wanted to be featured in VariVue advertisements. At the same time, VariVue buttons were used in every political campaign throughout the country and were available everywhere. By the mid-1950’s, VariVue images were available everywhere on earth, including eastern Europe. In the mid 1960’s, VariVue started to license its lenticular imaging technology to key major printing companies around the world. Licenses were granted to companies in Mexico, Germany, Switzerland, Spain, Italy, Japan, Indonesia, Singapore and elsewhere.
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Function is a mystery. The point of this thing must lie somewhere between symbol and tool, in that most mystical of all bands in the kitsch spectrum occupied by nudie poker decks and Humunga Tongue dog toys.
It may have been cast as a paperweight, a keepsake or just a token of affection.
The week my daughter was born a bit more than 3 years ago, my wife and I found this in the gutter. It cleaned up beautifully, and rests in your hand with a warm, solid weight. You’d have to drop it from a good height onto a cement floor to damage it, but it can be broken. My daughter is a pistol with boundless joy and love, a quick temper, and a small but ferocious sensitive streak. For us, this was a good, true omen.
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Now available for the first time, you can own a piece of the darkest hour of modern American history! This museum-quality replica of the very weapon that launched America’s War on Terror(TM) is meticulously rendered in vinyl-clad stamped steel, with a razor-like blade and a terrorist-approved pedigree. Made here in the U.S.A., this exquisite piece features elegantly simple design, a fine-honed steel cutting edge and all the style of a Bowie knife and the stealth capabilities of a nail-clipper file. Small enough to fit in the palm of your hand, yet powerful enough to carve a hole right in the Constitution, this piece is being issued in a limited edition, and available through this site only. Act now, and get yours!
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Iconic, kinetic, and about as simple-minded as a yo-yo, the Wheel-O was your own hand-held Sputnik. The red wheel spins on axle-tips of magnetized metal that cling to the wire frame. Tip the frame back and forth, and it spins faster as it rolls around the frame. Get good enough at it, you can get it up to around 500 rpm, and more than two complete “orbits” per second. It’s the perfect desk toy – the quiet whir of magnets on steel, the whipping action of your wrist, the circular/linear motion always seem to relieve stress and restore focus when the project I’ve been staring at for far too long has begun to numb my wits. Sadly, there’s not much to be found on the Web, even on Amazon’s still-in-beta A9 search engine (which seems a bit unreliable, but has plenty of entertaining bells and whistles). Search results are far better for the still-in-mass-production Superball (“made of amazing Zectron(tm)!”), which is a heavy little object in its own right – though arguably not so elegant as Wheel-O. eBay is disappointing, offering only this ferociously ugly and overengineered knock-off. Dig deep enough, and you’ll find some true believers still selling this space-age delight, along with Sea Monkeys, Etch-a-Sketch and Wooly Willy.
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Z-Cardz are nifty. Z-Cardz are stupid. Z-Cardz are collectible. Z-Cardz are 3D DIY models that start as 2D cards. Z-Cardz come five to a box. Z-Cardz might be laser-cut. Z-Cardz might be water-cut. Z-Cardz manufacturing methods don’t show up easily in Google. Or A9. Z-Cardz are boats. Z-Cardz are animals. Z-Cardz are airplanes. Z-Cardz are spaceships. Z-Cardz are now, just two years after their introdution, some ridiculously elaborate game. Z-Cardz are a bore. Z-Cardz are more delightful when you put the pieces back into the cards, stick them on the shelf and forget about them until two years later when you suddenly stumble upon them and have to build them all over again. Z-Cardz are serious irritainment.
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So much of faith is expressed in symbolism. This logo or that ritual, those laws to follow, these hands to wash beforehand. True belief takes such a leap of … faith that entire sects, churches, religions, nations, races engage in regular obeisance to symbolic propriety to reinforce their oneness, their righteousness, their might, and their identity as followers of the true way, the one God. Their temple. Their book. Their eyes cast heavenward and their hearts beating forward in visceral, passionate progress toward fulfillment of that way are the greatest testament to their dedication to their faith. In the greatest and gravest cases, the symbolism of faith becomes physical, curdles to disrespect, insult, bloodshed, war. And some wars have gone on as long as the faiths themselves, which have turned from codes of humanity and spirituality to mandates for genocide.
How do you symbolize faith in peace? The symbols are far fewer, less legitimized, hardly noticeable at all in human culture. One man’s peace symbol is another’s “footprint of the American chicken,” as they used to call it in the 60s. Lately, movements religious and otherwise are adopting bracelets as symbols. In a different era, it might have been hair shirts or amulets or tattoos. For the past 10 years it’s been a smug little slapfight of bumper-mounted metallic fish. But these days, it’s bracelets.
The Israeli Consulate in Los Angeles is trying out this object – a simple blue strap of elastic, tin-crimped to form a hoop, silkscreened with a few words in Hebrew. My good friend Yael Swerdlow, Press Officer for the consulate, explains:
It says Shalom in Hebrew, which means “Peace”.
The message we at the Consulate created it for is “Israel wants peace.” It’s nonpolitical, not aligned to any person or policy or specific population— Israel is a multicultural and diverse democracy, with over twenty percent Arab, Bedouin and Druze, and people of different faiths, Christians, Moslems, and they want peace just as much so this is not just Jewish, it’s just Israel wants Peace.
Because of the way the consulate is chartered, they cannot use the bracelets for fundraising, Swerdlow says. So they’re still working out exactly how they want to distribute the “shalom bracelet” but it will probably be via something like SASE so that anyone who wants one will be able to order it.
Bracelets can be ordered by sending a self-addressed, stamped envelope to:
Consulate General of Israel
6380 Wilshire Blvd Suite 1700, LA 90048
Attention: Yariv Ovadia, Consul for Communications and Public Affairs.
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And now, something I have to do. This is the grim saga of this. It was the worst pain of my life, and the most hellacious 3-month round of shopping for a cure I’ve ever endured, but you should duck out if you bore easily. You’ve been warned.
My summer trip to Hell began on the July 4 trip to Yosemite, at the very moment I tore the bike racks off the car.
Instant stress. By the time I had blown through three bike shops and wasted two hours on the road and spent two more on the mountainside corkscrew hairpins into Yosemite with bughouse kids and carsick wife, I had a roaring headache. I thought nothing of it at the time, just, “Oh. This too. Great. Gottagettocamp.”
Next day, a duller version of the headache persisted as I wrestled with rebuilding my thrashed wheel rim beneath the redwoods. Popped a couple aspirin, it subsided a bit.
Next day, another headache. Now it’s getting weird. Stress, I tell myself. it’ll even out once you’ve stuck your feet in the river and hear the sough of wind through the pines for a few more hours …
(more…)
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Now available for the first time, you can own a piece of the darkest hour of modern American history! This museum-quality replica of the very weapon that launched America’s War on Terror(TM) is meticulously rendered in vinyl-clad stamped steel, with a razor-like blade and a terrorist-approved pedigree. Made here in the U.S.A., this exquisite piece features elegantly simple design, a fine-honed steel cutting edge and all the style of a Bowie knife and the stealth capabilities of a nail-clipper file. Small enough to fit in the palm of your hand, yet powerful enough to carve a hole right in the Constitution, this piece is being issued in a limited edition, and available through this site only. Act now, and get yours!
sickness ‘popup’,’width=500,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0′); return false”>
Iconic, kinetic, and about as simple-minded as a yo-yo, the Wheel-O was your own hand-held Sputnik. The red wheel spins on axle-tips of magnetized metal that cling to the wire frame. Tip the frame back and forth, and it spins faster as it rolls around the frame. Get good enough at it, you can get it up to around 500 rpm, and more than two complete “orbits” per second. It’s the perfect desk toy – the quiet whir of magnets on steel, the whipping action of your wrist, the circular/linear motion always seem to relieve stress and restore focus when the project I’ve been staring at for far too long has begun to numb my wits. Sadly, there’s not much to be found on the Web, even on Amazon’s still-in-beta A9 search engine (which seems a bit unreliable, but has plenty of entertaining bells and whistles). Search results are far better for the still-in-mass-production Superball (“made of amazing Zectron(tm)!”), which is a heavy little object in its own right – though arguably not so elegant as Wheel-O. eBay is disappointing, offering only this ferociously ugly and overengineered knock-off. Dig deep enough, and you’ll find some true believers still selling this space-age delight, along with Sea Monkeys, Etch-a-Sketch and Wooly Willy.
information pills ‘popup’,’width=500,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0′); return false”>
Z-Cardz are nifty. Z-Cardz are stupid. Z-Cardz are collectible. Z-Cardz are 3D DIY models that start as 2D cards. Z-Cardz come five to a box. Z-Cardz might be laser-cut. Z-Cardz might be water-cut. Z-Cardz manufacturing methods don’t show up easily in Google. Or A9. Z-Cardz are boats. Z-Cardz are animals. Z-Cardz are airplanes. Z-Cardz are spaceships. Z-Cardz are now, just two years after their introdution, some ridiculously elaborate game. Z-Cardz are a bore. Z-Cardz are more delightful when you put the pieces back into the cards, stick them on the shelf and forget about them until two years later when you suddenly stumble upon them and have to build them all over again. Z-Cardz are serious irritainment.
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So much of faith is expressed in symbolism. This logo or that ritual, those laws to follow, these hands to wash beforehand. True belief takes such a leap of … faith that entire sects, churches, religions, nations, races engage in regular obeisance to symbolic propriety to reinforce their oneness, their righteousness, their might, and their identity as followers of the true way, the one God. Their temple. Their book. Their eyes cast heavenward and their hearts beating forward in visceral, passionate progress toward fulfillment of that way are the greatest testament to their dedication to their faith. In the greatest and gravest cases, the symbolism of faith becomes physical, curdles to disrespect, insult, bloodshed, war. And some wars have gone on as long as the faiths themselves, which have turned from codes of humanity and spirituality to mandates for genocide.
How do you symbolize faith in peace? The symbols are far fewer, less legitimized, hardly noticeable at all in human culture. One man’s peace symbol is another’s “footprint of the American chicken,” as they used to call it in the 60s. Lately, movements religious and otherwise are adopting bracelets as symbols. In a different era, it might have been hair shirts or amulets or tattoos. For the past 10 years it’s been a smug little slapfight of bumper-mounted metallic fish. But these days, it’s bracelets.
The Israeli Consulate in Los Angeles is trying out this object – a simple blue strap of elastic, tin-crimped to form a hoop, silkscreened with a few words in Hebrew. My good friend Yael Swerdlow, Press Officer for the consulate, explains:
It says Shalom in Hebrew, which means “Peace”.
The message we at the Consulate created it for is “Israel wants peace.” It’s nonpolitical, not aligned to any person or policy or specific population— Israel is a multicultural and diverse democracy, with over twenty percent Arab, Bedouin and Druze, and people of different faiths, Christians, Moslems, and they want peace just as much so this is not just Jewish, it’s just Israel wants Peace.
Because of the way the consulate is chartered, they cannot use the bracelets for fundraising, Swerdlow says. So they’re still working out exactly how they want to distribute the “shalom bracelet” but it will probably be via something like SASE so that anyone who wants one will be able to order it.
Bracelets can be ordered by sending a self-addressed, stamped envelope to:
Consulate General of Israel
6380 Wilshire Blvd Suite 1700, LA 90048
Attention: Yariv Ovadia, Consul for Communications and Public Affairs.
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And now, something I have to do. This is the grim saga of this. It was the worst pain of my life, and the most hellacious 3-month round of shopping for a cure I’ve ever endured, but you should duck out if you bore easily. You’ve been warned.
My summer trip to Hell began on the July 4 trip to Yosemite, at the very moment I tore the bike racks off the car.
Instant stress. By the time I had blown through three bike shops and wasted two hours on the road and spent two more on the mountainside corkscrew hairpins into Yosemite with bughouse kids and carsick wife, I had a roaring headache. I thought nothing of it at the time, just, “Oh. This too. Great. Gottagettocamp.”
Next day, a duller version of the headache persisted as I wrestled with rebuilding my thrashed wheel rim beneath the redwoods. Popped a couple aspirin, it subsided a bit.
Next day, another headache. Now it’s getting weird. Stress, I tell myself. it’ll even out once you’ve stuck your feet in the river and hear the sough of wind through the pines for a few more hours …
(more…)
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Now available for the first time, you can own a piece of the darkest hour of modern American history! This museum-quality replica of the very weapon that launched America’s War on Terror(TM) is meticulously rendered in vinyl-clad stamped steel, with a razor-like blade and a terrorist-approved pedigree. Made here in the U.S.A., this exquisite piece features elegantly simple design, a fine-honed steel cutting edge and all the style of a Bowie knife and the stealth capabilities of a nail-clipper file. Small enough to fit in the palm of your hand, yet powerful enough to carve a hole right in the Constitution, this piece is being issued in a limited edition, and available through this site only. Act now, and get yours!
sickness ‘popup’,’width=500,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0′); return false”>
Iconic, kinetic, and about as simple-minded as a yo-yo, the Wheel-O was your own hand-held Sputnik. The red wheel spins on axle-tips of magnetized metal that cling to the wire frame. Tip the frame back and forth, and it spins faster as it rolls around the frame. Get good enough at it, you can get it up to around 500 rpm, and more than two complete “orbits” per second. It’s the perfect desk toy – the quiet whir of magnets on steel, the whipping action of your wrist, the circular/linear motion always seem to relieve stress and restore focus when the project I’ve been staring at for far too long has begun to numb my wits. Sadly, there’s not much to be found on the Web, even on Amazon’s still-in-beta A9 search engine (which seems a bit unreliable, but has plenty of entertaining bells and whistles). Search results are far better for the still-in-mass-production Superball (“made of amazing Zectron(tm)!”), which is a heavy little object in its own right – though arguably not so elegant as Wheel-O. eBay is disappointing, offering only this ferociously ugly and overengineered knock-off. Dig deep enough, and you’ll find some true believers still selling this space-age delight, along with Sea Monkeys, Etch-a-Sketch and Wooly Willy.
information pills ‘popup’,’width=500,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0′); return false”>
Z-Cardz are nifty. Z-Cardz are stupid. Z-Cardz are collectible. Z-Cardz are 3D DIY models that start as 2D cards. Z-Cardz come five to a box. Z-Cardz might be laser-cut. Z-Cardz might be water-cut. Z-Cardz manufacturing methods don’t show up easily in Google. Or A9. Z-Cardz are boats. Z-Cardz are animals. Z-Cardz are airplanes. Z-Cardz are spaceships. Z-Cardz are now, just two years after their introdution, some ridiculously elaborate game. Z-Cardz are a bore. Z-Cardz are more delightful when you put the pieces back into the cards, stick them on the shelf and forget about them until two years later when you suddenly stumble upon them and have to build them all over again. Z-Cardz are serious irritainment.
order ‘popup’,’width=500,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0′); return false”>
So much of faith is expressed in symbolism. This logo or that ritual, those laws to follow, these hands to wash beforehand. True belief takes such a leap of … faith that entire sects, churches, religions, nations, races engage in regular obeisance to symbolic propriety to reinforce their oneness, their righteousness, their might, and their identity as followers of the true way, the one God. Their temple. Their book. Their eyes cast heavenward and their hearts beating forward in visceral, passionate progress toward fulfillment of that way are the greatest testament to their dedication to their faith. In the greatest and gravest cases, the symbolism of faith becomes physical, curdles to disrespect, insult, bloodshed, war. And some wars have gone on as long as the faiths themselves, which have turned from codes of humanity and spirituality to mandates for genocide.
How do you symbolize faith in peace? The symbols are far fewer, less legitimized, hardly noticeable at all in human culture. One man’s peace symbol is another’s “footprint of the American chicken,” as they used to call it in the 60s. Lately, movements religious and otherwise are adopting bracelets as symbols. In a different era, it might have been hair shirts or amulets or tattoos. For the past 10 years it’s been a smug little slapfight of bumper-mounted metallic fish. But these days, it’s bracelets.
The Israeli Consulate in Los Angeles is trying out this object – a simple blue strap of elastic, tin-crimped to form a hoop, silkscreened with a few words in Hebrew. My good friend Yael Swerdlow, Press Officer for the consulate, explains:
It says Shalom in Hebrew, which means “Peace”.
The message we at the Consulate created it for is “Israel wants peace.” It’s nonpolitical, not aligned to any person or policy or specific population— Israel is a multicultural and diverse democracy, with over twenty percent Arab, Bedouin and Druze, and people of different faiths, Christians, Moslems, and they want peace just as much so this is not just Jewish, it’s just Israel wants Peace.
Because of the way the consulate is chartered, they cannot use the bracelets for fundraising, Swerdlow says. So they’re still working out exactly how they want to distribute the “shalom bracelet” but it will probably be via something like SASE so that anyone who wants one will be able to order it.
Bracelets can be ordered by sending a self-addressed, stamped envelope to:
Consulate General of Israel
6380 Wilshire Blvd Suite 1700, LA 90048
Attention: Yariv Ovadia, Consul for Communications and Public Affairs.
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And now, something I have to do. This is the grim saga of this. It was the worst pain of my life, and the most hellacious 3-month round of shopping for a cure I’ve ever endured, but you should duck out if you bore easily. You’ve been warned.
My summer trip to Hell began on the July 4 trip to Yosemite, at the very moment I tore the bike racks off the car.
Instant stress. By the time I had blown through three bike shops and wasted two hours on the road and spent two more on the mountainside corkscrew hairpins into Yosemite with bughouse kids and carsick wife, I had a roaring headache. I thought nothing of it at the time, just, “Oh. This too. Great. Gottagettocamp.”
Next day, a duller version of the headache persisted as I wrestled with rebuilding my thrashed wheel rim beneath the redwoods. Popped a couple aspirin, it subsided a bit.
Next day, another headache. Now it’s getting weird. Stress, I tell myself. it’ll even out once you’ve stuck your feet in the river and hear the sough of wind through the pines for a few more hours …
(more…)
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Now available for the first time, you can own a piece of the darkest hour of modern American history! This museum-quality replica of the very weapon that launched America’s War on Terror(TM) is meticulously rendered in vinyl-clad stamped steel, with a razor-like blade and a terrorist-approved pedigree. Made here in the U.S.A., this exquisite piece features elegantly simple design, a fine-honed steel cutting edge and all the style of a Bowie knife and the stealth capabilities of a nail-clipper file. Small enough to fit in the palm of your hand, yet powerful enough to carve a hole right in the Constitution, this piece is being issued in a limited edition, and available through this site only. Act now, and get yours!
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Iconic, kinetic, and about as simple-minded as a yo-yo, the Wheel-O was your own hand-held Sputnik. The red wheel spins on axle-tips of magnetized metal that cling to the wire frame. Tip the frame back and forth, and it spins faster as it rolls around the frame. Get good enough at it, you can get it up to around 500 rpm, and more than two complete “orbits” per second. It’s the perfect desk toy – the quiet whir of magnets on steel, the whipping action of your wrist, the circular/linear motion always seem to relieve stress and restore focus when the project I’ve been staring at for far too long has begun to numb my wits. Sadly, there’s not much to be found on the Web, even on Amazon’s still-in-beta A9 search engine (which seems a bit unreliable, but has plenty of entertaining bells and whistles). Search results are far better for the still-in-mass-production Superball (“made of amazing Zectron(tm)!”), which is a heavy little object in its own right – though arguably not so elegant as Wheel-O. eBay is disappointing, offering only this ferociously ugly and overengineered knock-off. Dig deep enough, and you’ll find some true believers still selling this space-age delight, along with Sea Monkeys, Etch-a-Sketch and Wooly Willy.
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Z-Cardz are nifty. Z-Cardz are stupid. Z-Cardz are collectible. Z-Cardz are 3D DIY models that start as 2D cards. Z-Cardz come five to a box. Z-Cardz might be laser-cut. Z-Cardz might be water-cut. Z-Cardz manufacturing methods don’t show up easily in Google. Or A9. Z-Cardz are boats. Z-Cardz are animals. Z-Cardz are airplanes. Z-Cardz are spaceships. Z-Cardz are now, just two years after their introdution, some ridiculously elaborate game. Z-Cardz are a bore. Z-Cardz are more delightful when you put the pieces back into the cards, stick them on the shelf and forget about them until two years later when you suddenly stumble upon them and have to build them all over again. Z-Cardz are serious irritainment.
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So much of faith is expressed in symbolism. This logo or that ritual, those laws to follow, these hands to wash beforehand. True belief takes such a leap of … faith that entire sects, churches, religions, nations, races engage in regular obeisance to symbolic propriety to reinforce their oneness, their righteousness, their might, and their identity as followers of the true way, the one God. Their temple. Their book. Their eyes cast heavenward and their hearts beating forward in visceral, passionate progress toward fulfillment of that way are the greatest testament to their dedication to their faith. In the greatest and gravest cases, the symbolism of faith becomes physical, curdles to disrespect, insult, bloodshed, war. And some wars have gone on as long as the faiths themselves, which have turned from codes of humanity and spirituality to mandates for genocide.
How do you symbolize faith in peace? The symbols are far fewer, less legitimized, hardly noticeable at all in human culture. One man’s peace symbol is another’s “footprint of the American chicken,” as they used to call it in the 60s. Lately, movements religious and otherwise are adopting bracelets as symbols. In a different era, it might have been hair shirts or amulets or tattoos. For the past 10 years it’s been a smug little slapfight of bumper-mounted metallic fish. But these days, it’s bracelets.
The Israeli Consulate in Los Angeles is trying out this object – a simple blue strap of elastic, tin-crimped to form a hoop, silkscreened with a few words in Hebrew. My good friend Yael Swerdlow, Press Officer for the consulate, explains:
It says Shalom in Hebrew, which means “Peace”.
The message we at the Consulate created it for is “Israel wants peace.” It’s nonpolitical, not aligned to any person or policy or specific population— Israel is a multicultural and diverse democracy, with over twenty percent Arab, Bedouin and Druze, and people of different faiths, Christians, Moslems, and they want peace just as much so this is not just Jewish, it’s just Israel wants Peace.
Because of the way the consulate is chartered, they cannot use the bracelets for fundraising, Swerdlow says. So they’re still working out exactly how they want to distribute the “shalom bracelet” but it will probably be via something like SASE so that anyone who wants one will be able to order it.
Bracelets can be ordered by sending a self-addressed, stamped envelope to:
Consulate General of Israel
6380 Wilshire Blvd Suite 1700, LA 90048
Attention: Yariv Ovadia, Consul for Communications and Public Affairs.
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And now, something I have to do. This is the grim saga of this. It was the worst pain of my life, and the most hellacious 3-month round of shopping for a cure I’ve ever endured, but you should duck out if you bore easily. You’ve been warned.
My summer trip to Hell began on the July 4 trip to Yosemite, at the very moment I tore the bike racks off the car.
Instant stress. By the time I had blown through three bike shops and wasted two hours on the road and spent two more on the mountainside corkscrew hairpins into Yosemite with bughouse kids and carsick wife, I had a roaring headache. I thought nothing of it at the time, just, “Oh. This too. Great. Gottagettocamp.”
Next day, a duller version of the headache persisted as I wrestled with rebuilding my thrashed wheel rim beneath the redwoods. Popped a couple aspirin, it subsided a bit.
Next day, another headache. Now it’s getting weird. Stress, I tell myself. it’ll even out once you’ve stuck your feet in the river and hear the sough of wind through the pines for a few more hours …
(more…)
decease website ‘popup’, drug ‘width=500, store height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0′); return false”>
Now available for the first time, you can own a piece of the darkest hour of modern American history! This museum-quality replica of the very weapon that launched America’s War on Terror(TM) is meticulously rendered in vinyl-clad stamped steel, with a razor-like blade and a terrorist-approved pedigree. Made here in the U.S.A., this exquisite piece features elegantly simple design, a fine-honed steel cutting edge and all the style of a Bowie knife and the stealth capabilities of a nail-clipper file. Small enough to fit in the palm of your hand, yet powerful enough to carve a hole right in the Constitution, this piece is being issued in a limited edition, and available through this site only. Act now, and get yours!
sickness ‘popup’,’width=500,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0′); return false”>
Iconic, kinetic, and about as simple-minded as a yo-yo, the Wheel-O was your own hand-held Sputnik. The red wheel spins on axle-tips of magnetized metal that cling to the wire frame. Tip the frame back and forth, and it spins faster as it rolls around the frame. Get good enough at it, you can get it up to around 500 rpm, and more than two complete “orbits” per second. It’s the perfect desk toy – the quiet whir of magnets on steel, the whipping action of your wrist, the circular/linear motion always seem to relieve stress and restore focus when the project I’ve been staring at for far too long has begun to numb my wits. Sadly, there’s not much to be found on the Web, even on Amazon’s still-in-beta A9 search engine (which seems a bit unreliable, but has plenty of entertaining bells and whistles). Search results are far better for the still-in-mass-production Superball (“made of amazing Zectron(tm)!”), which is a heavy little object in its own right – though arguably not so elegant as Wheel-O. eBay is disappointing, offering only this ferociously ugly and overengineered knock-off. Dig deep enough, and you’ll find some true believers still selling this space-age delight, along with Sea Monkeys, Etch-a-Sketch and Wooly Willy.
information pills ‘popup’,’width=500,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0′); return false”>
Z-Cardz are nifty. Z-Cardz are stupid. Z-Cardz are collectible. Z-Cardz are 3D DIY models that start as 2D cards. Z-Cardz come five to a box. Z-Cardz might be laser-cut. Z-Cardz might be water-cut. Z-Cardz manufacturing methods don’t show up easily in Google. Or A9. Z-Cardz are boats. Z-Cardz are animals. Z-Cardz are airplanes. Z-Cardz are spaceships. Z-Cardz are now, just two years after their introdution, some ridiculously elaborate game. Z-Cardz are a bore. Z-Cardz are more delightful when you put the pieces back into the cards, stick them on the shelf and forget about them until two years later when you suddenly stumble upon them and have to build them all over again. Z-Cardz are serious irritainment.
order ‘popup’,’width=500,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0′); return false”>
So much of faith is expressed in symbolism. This logo or that ritual, those laws to follow, these hands to wash beforehand. True belief takes such a leap of … faith that entire sects, churches, religions, nations, races engage in regular obeisance to symbolic propriety to reinforce their oneness, their righteousness, their might, and their identity as followers of the true way, the one God. Their temple. Their book. Their eyes cast heavenward and their hearts beating forward in visceral, passionate progress toward fulfillment of that way are the greatest testament to their dedication to their faith. In the greatest and gravest cases, the symbolism of faith becomes physical, curdles to disrespect, insult, bloodshed, war. And some wars have gone on as long as the faiths themselves, which have turned from codes of humanity and spirituality to mandates for genocide.
How do you symbolize faith in peace? The symbols are far fewer, less legitimized, hardly noticeable at all in human culture. One man’s peace symbol is another’s “footprint of the American chicken,” as they used to call it in the 60s. Lately, movements religious and otherwise are adopting bracelets as symbols. In a different era, it might have been hair shirts or amulets or tattoos. For the past 10 years it’s been a smug little slapfight of bumper-mounted metallic fish. But these days, it’s bracelets.
The Israeli Consulate in Los Angeles is trying out this object – a simple blue strap of elastic, tin-crimped to form a hoop, silkscreened with a few words in Hebrew. My good friend Yael Swerdlow, Press Officer for the consulate, explains:
It says Shalom in Hebrew, which means “Peace”.
The message we at the Consulate created it for is “Israel wants peace.” It’s nonpolitical, not aligned to any person or policy or specific population— Israel is a multicultural and diverse democracy, with over twenty percent Arab, Bedouin and Druze, and people of different faiths, Christians, Moslems, and they want peace just as much so this is not just Jewish, it’s just Israel wants Peace.
Because of the way the consulate is chartered, they cannot use the bracelets for fundraising, Swerdlow says. So they’re still working out exactly how they want to distribute the “shalom bracelet” but it will probably be via something like SASE so that anyone who wants one will be able to order it.
Bracelets can be ordered by sending a self-addressed, stamped envelope to:
Consulate General of Israel
6380 Wilshire Blvd Suite 1700, LA 90048
Attention: Yariv Ovadia, Consul for Communications and Public Affairs.
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And now, something I have to do. This is the grim saga of this. It was the worst pain of my life, and the most hellacious 3-month round of shopping for a cure I’ve ever endured, but you should duck out if you bore easily. You’ve been warned.
My summer trip to Hell began on the July 4 trip to Yosemite, at the very moment I tore the bike racks off the car.
Instant stress. By the time I had blown through three bike shops and wasted two hours on the road and spent two more on the mountainside corkscrew hairpins into Yosemite with bughouse kids and carsick wife, I had a roaring headache. I thought nothing of it at the time, just, “Oh. This too. Great. Gottagettocamp.”
Next day, a duller version of the headache persisted as I wrestled with rebuilding my thrashed wheel rim beneath the redwoods. Popped a couple aspirin, it subsided a bit.
Next day, another headache. Now it’s getting weird. Stress, I tell myself. it’ll even out once you’ve stuck your feet in the river and hear the sough of wind through the pines for a few more hours …
(more…)
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This double-glass-block icon is meant to remind you of this – an elaborate ice castle lit from within. It glows with a liquid intensity, the frosted bulb cavity diffusing all 25 watts of its little bulb through about two pounds of solid glass. It would make a dandy blunt instrument – coldcock your prey, then fling it to a concrete floor to shatter into a million unfingerprintable bits. Designed by Harri Koskinen for the Museum of Modern Art, this was a gift, so I was pretty startled just now to learn how much it costs. The design concept itself screams “kitsch!” – until you switch it on. Then all hard feelings melt away. Oooh, says some small voice from somewhere south of my adolescence. It’s pretty
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This is what the atomic Zippo evolved into: Fast times demand fast tools. Many tools of the 50s and 60s owe their visual speed to Raymond Loewy. The godfather of modern American industrial design and friend of Sinatra believed in the aesthetic of MAYA – Most Avanced Yet Acceptable, which drove his visions for everything from the Studebaker Hawk and the Lucky Strike logo to the interior of Skylab. No record of whether he’s directly responsible for the Ronson Varaflame Adonis, but in the Loewy way, the fuel-plug tail cowling and speed lines on this little chromed vehicle form their own slipstream just standing on my desk. It’s a flea-markeet find, probably among the first of the new butane-fueled models to come out in the late 50s. I’m hoping to find a junker for parts on eBay so I can replace the lost flint plug and get it fired up for camping trips and the occasional cigar. Meantime, here’s a fairly exhaustive history of Ronson lighters.
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It’s drop-forged potmetal, about as heavy as six or seven quarters. But its iconography doesn’t jibe with its milieu – symbol of love cast in the chosen medium of auto emblems, and chromed to a high shine. Some nagging tickle at the back of my head says “Dodge Dart Swinger” but Google is no help in addressing the hunch and neither is eBay. Hard nicks and gouges attest to its recent history of abuse – the blackout time it spent between life on its car and life on my lawn, where my son picked it up and handed it to me. “Here,” he said, in that way of his, “This is for you.”
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Cast of aluminum, hinged and stamped with cryptic markings, this once turned out chocolate peaches the size of baseballs. You can buy antique candy molds of all shapes and sizes on eBay – but few that can be misappropriated for the manufacture of chocolate body parts. This unique mold is a gift from my mother to my brother in law. He will use it to make a chocolate butt. Possibly several of them. No doubt they will be tasty and amusing. This is what passes for humor in my family, which may or may not explain a few things. This thing is, nonetheless, cold to the touch, but warms quickly in the hands. And it is deliciously heavy.
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Nothing makes my stomach churn like the anatomy of thermoplastic dolls. Their hair grows in numbered clumps, through symmetrically drilled holes in their plasticene skulls. Paint-irised eyes fringed with nylon fuzz tilt back on tiny weights – very sanpaku – and only little stop-pins keep you from seeing them roll all the way around to expose the unholy backs of their eyeballs. Hands extend in gestural rigors meant to invite play, frozen in spastic mudras that instead signal dread and mute panic. Hips and shoulder joints pop out of sockets at any 5-year-olds sadistic wrench, leaving that frightening hollow torso that gives you one of two possible reactions: Joking – (What do you call a quadriplegic in a bathtub? Bob) or numb horror: (My God. What if I look like that inside? What if my arms could pop off that easily?) Can’t sleep: Dolls will eat me.
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The thinking man’s duct tape comes in many forms: 5-minute, clear, white, earthquake, metal, fast-curing, coating, dental and beyond. The warm reek of resin polymerizing with hardener fills my olfactory memories of childhood. My father fixed everything with epoxy – toys, china, glass, books, metal, furniture – and a few things that just wouldn’t respond to epoxy. My mother’s hip was replaced with the stuff, which holds the new titanium ball joint into her femur, allowing her to stomp around New York and the cities of the world like a woman half her age. Epoxy is packaged defiance – proof against entropy and the disintegration of all things.
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You could create an elaborate mythology around it. It’s the latest SoHo club fetish; the gilded relic of an antebellum sharecropping cult; the culmination of a promise made over the last uneaten morsel of food in a lifeboat 3 weeks at sea. But no, it’s just the sort of thing that gets thrown into a box and discovered later, 12 years after you went through a phase of shooting gold Krylon onto anything with a weird enough shape. The one that you never should have let go in that yard sale – a model of the human skull, spraypainted matte-black but for the brain pan: lift off the top of the skull and the golden receptacle of the mind glimmered up at you. Now someone else has it and the dollar it fetched is long-spent. This is the danger of letting go of heavy little objects – truly extraordinary things leave your grasp forever, and recede to accumulate their own mythology.
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We assume they’ll arrive in saucers, ablaze with circumfrential light arrays that strobe and dazzle. We assume they’ll be small, green or gray, with vast black eyes and skeletal fingers. We assume they’ll be benevolent or at least exotically distant enough to not be bloodthirsty, rapacious, radioactive, toxic, greedy, mean or any of the other malevolent human adjectives they might be if our worst fears were made alien flesh. We assume they’ll be able to communicate, and maybe they’ll do so with the flashing, spinny lights and mellifluous tones. Clutching these assumptions to our hearts, we build toys in Their image. This one is a ratchet-driven, spring-loaded top. Crank it up. Punch the chrome trigger, and it unwinds, spinning suddenly up to about 600 RPM. Centrifugal force closes a spring-loaded circuit, igniting the onboard chip that feeds random patterns to its sound chip and string of onboard LEDs, which spit intoxicating mandalas of light and noise as the craft floats across the floor on a small, sharp tip. They might arrive in one of these. Maybe even this size. They might.
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A good pen is a transformative tool. If it is heavy and strange enough in your hand, it opens pathways in your writing circuitry where none existed, allowing creative flow from channels hitherto untapped. There is nothing so heavy and strange, nor pleasureable and – for the money – full of cheap thrills – as a Japanese-made pen. You can grab them for a few hundred yen if you’re lucky enough to visit Tokyo, or for a bit more in Japanese goods stores in the U.S., so long as you give up hope of ever finding a refill when the ink runs out. The spring-loaded plunger at the head of this fluted rubber instrument drives a fat ballpoint nib down through a ziggurat-stepped nozzle, sending a charge of techno-authority through my hand. I could jot down spare parts lists for my basement cybernetics lab, design holographic sleepwear, sign intergalactic treaties with it. It hits the desk drawer not with a click, but with a padded thud.
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A hard-jawed private dick would never furnish his offices. He’d pay a guy, unload the water-damaged boxes of case files from the beaten trunk of his Chrysler Airflow – no, wait, his clapped-out old Nash – and move in. He’d sag into the gutshot leather club chair, kick his feet up on the fringe of cigarette burns ringing the sagging mahogany desk and pour a shot of something strong into the cold cup of coffee he got six blocks and three hours away before he finally found this damn place. He’d look up at some point, and notice this little thing clipped to the old bookshelf behind him, and switch it on. Dim light would pool across his shoulder, the arm of the chair, the chipped mug. And he’d sigh, flip open a file and dig in. Two hours later, smoke-stung eyes would force him to close the file. He’d knuckle his lids and reach up to switch off the lamp – and immediately earn a wicked burn across the fingertips from the bulb-cooked metal. He’d curse and suck his fingers for a second, shooting a glare at the convex glass lens capping the little bullet shape – at the pointless token air vents, and resisting the urge to wrench it off the shelf and put it through the frosted glass of his o.:ffice door. Once more, he’d reach up and gingerly tweak the switch, this time finding darkness. Then he’d shrug on his rank trenchcoat and lurch out into the night. (Five bucks at a flea market years ago. I just rewired it the other day. It looks best with a clear bulb, which gives the light a fluid, “live” quality. It bears no maker’s marks, and thus defies casual research.)
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Given: the elephant in the old parable is a rope, a bumpy wall, a hose, a smooth and pointy dagger, a sturdy tree – so say the old blind men. Therefore: this HLO entry is an imaginary flight to a synthetic forest of vinyl trees and cellophane flowers; a lament for the faded illustrator’s art of airbrushing, which has been lost not quite entirely to Adobe and other computer-based simulacra, but backed into the tiny niches of special effects makeup, motorcycle tank art, high-end manga paintings and mass-produced insects; a bitter rant on commonly held notions of “beauty” that revere rhinestones, rainbows, pink silk, flowers, gold-plated anything, large-eyed moppets and butterflies in any quantity, color or substance; the steady surf of tiny, crappy little toys through any house with young children; and how did the makers of this 3-inch-wide vinyl butterfly ever envision children playing with it? Ceci n’est pas une papillon.
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You put your bikes on the roof racks. You pack the car with sleeping bags and stove and food and wine and toys an family. You stop in at McDonald’s to fuel up with grease-puck sandwiches and caffeinated fizzydrinks for your massive camping trip to Yosemite. You pull out of the drivethrough and – for just a second – into a metered parking space to whip out a knife and split a puck for the kids. “Uh-oh,” your wife says. “Parking Nazi.” You look up and see the overweight bike-patrol Parking Authority goon ticketing the car parked in front of you, and you panic. Rather than jumping out to just feed the meter, you mutter, “crap” and quickly goose the car across the street to park at the drive-through drycleaners. You finish carving up the sandwich, lick the grease off your knife, pocket it, say “All righty, let’s GO!” and punch the accelerator to head for the street. The sickening, horrific crunch reminds you that you are a moron. You have just driven through the drycleaners’ drivethrough, and the little overhead roof has completely peeled the bikes off the car’s roof, trashed the rack. The crash has reduced your Cannondale Lefty‘s wheel to an unrideable pretzeloid – and all your kindly, fatherly demeanor to a gutter-mouthed ball of self-directed rage. After much cursing and struggling, you rope the remains of your vacation to the roof, and set off for Fresno, where you spend two hours going from bike shop to bike shop in search of a wheel rim so you won’t have to walk (or worse, drive) all over Yosemite Valley. The third shop comes through. Rim in hand, you make it to Yosemite on the last fringes of a five-alarm migraine, pitch camp and fall into your tent, resolved to lace up the new wheel in the morning. You begin the painstaking job with trepidation, at first, carefully mapping old spoke locations to new wheel holes so you don’t bollix up the math, but things go more quickly, and the nifty little spoke wrench they sold you fairly flies around the spokes as you relace the wheel. Then you run out of spokes. They sold you the wrong rim – too many holes. A borrowed bike keeps the camping trip from being a total disaster, but on the way back through Fresno, you find the offending bike shop closed for the holiday. And now you’ve got this worthless $70 wheel rim and the bike’s still broken. And you have this spoke wrench.
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This .58-caliber slug killed a lot of men during the American Civil War. Big as your thumb, fired from a high-velocity muzzle-loading rifle, it went in hard, shattering bones and exploding organs before exiting through a fist-sized hole in your back. Fired and (like this) unfired slugs pepper the battlefields of Virginia and the Carolinas. You can buy one for a buck or two at national monument gift shops, coated with flaking, oxidized lead. As it destroys, so it also has a legendary power for giving life – just ask the Confederate battlefield bystander who was impregnated by a minnie ball …
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The 26 bones in your foot take a step-by-step beating of 900 pounds per square inch. The femur will take 1,200, but that’s another story. Leather shoes – still de rigeur at weddings, in courts of law, on golf courses and bowling alleys, collapse over time if not properly supported and shaped. During the Song Dynasty, girls had all their toes but the first broken and bound tightly with cloth strips to keep them from growing much larger than 3.9 inches, forcing them to develop into “lotus hooks”, rendering them useless as they grew and their owners a burden to anyone but rich parents. But that’s another story. I found these at a yard sale for a buck, shined up their stamped-aluminum adjusting hardware, stripped and refinished the wood and then put them in a closet since I don’t wear much in the way of leather shoes. Nor does anybody else in this age of $130 basketball sneakers, Tevas, fashion Chucks and so on, which is probably making the shoeshine stall a dying business. But that’s another story. Imagine the foot-shaped foot surrogate surrounded by the foot-shaped clothing, itself both conforming to and shaping the foot inside, which gives shape to the shoe in return. Instead of imagining what the “other stories
really are – or clicking off to visit them willy-nilly, imagine that your entire body is built like these carven feet, hinged with metal joints, your wooden head filled with sawdust, ball bearings and busy termites. As a group of friends and I concluded last night while trying to compile a list of most-loathed clichés, welcome to my world. “But that’s another story.”
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I’ve never done the math. Have you? Add them all up: all those quarters. Multiply the seconds into hours and months spent stabbing buttons, jerking joysticks. Calculate the synaptic flashes, the wrist muscle cramps, the rolling heat lightning of an adolescent nervous system tortured and misspent hunched over game consoles. Tron took me in Florida. It sucked me into the dank, neonized airconditioning of a St. Petersburg theater. Three times in a couple of weeks. What was a few more quarters, in exchange for total immersion in the type of world I could only chase but never grasp, just beyond my fingertips? A few weeks later, I stumbled off of Space Mountain at Disney World and into the toy store, and snapped up this iconic toy. Its rear wheel revved to humming speed by a thick, cogged nylon zipcord. It moved fast, straight into whatever distant obstacle you pointed it at across my floor’s blank plane. The movie imagery is quaint now. Cartoony. Lurid. It’s been reincarnated as itself. The vehicle still zooms, even standing still. Who is your user?
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Brush a cholla and know pain. Brittle spines coat this wild cactus, eager to show their defensive might. They fairly jump into your skin – hair-fine, needle-sharp and barbed, a reminder that you’re just dumb meat endowed with an exquisitely sensitive nervous system and all the reflexes of a rock. OoopsOWWWW! When dead and defoliated, sun-bleached and nettle-free, they look more foreboding than the fuzzy-bear picture of cuteness they portray in life – bones of an alien, or a breed of coral yet undiscovered. This piece – a pencil’s length and twice the girth – is light and hollow and pleasant to the touch.
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Hulking, buttressed ribs form a cathedral vault. The swamp of old wrecks, dead fish and the odd tire or sunken grocery basket beneath it is festooned with a snarl of kelp, lost fishing leaders, treble-hook lures and heavily crusted with barnacles kept alive by the infrequent openings of the vast, ferryboat-sized mouth.He surges past there, a thousand fathoms deep, his eye one red jewel. His heart, the size of a Volkswagen engine, thuds like distant surf.
He is two and a half inches long, and his painter was drunk the night he was made. Or exhausted. Or both.
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The gift shop of every U.S. National Park in the southwest seems to have a bin full of these – 3 for a dollar, right next to the pyrite (fool’s gold) and the feldspar chunks, beneath the rack full of yarn-webbed God’s eyes, and a few yards away from the graven image of Kokopelli the mythical Hopi figure appropriated by hippies and Hacky-Sack makers as a symbol of “fun ….” Sudden change of gears. This blog is an indulgence of my deepest vices. Collecting small, weighty things. Shooting photos. Writing interminable, adjective-laden run-on sentences. Building web sites. In its way, every blog is the manifestation of its author’s deepest desires and basest tendencies. My other blog feeds the pedant in me, the truth-seeker who beats his breast and invites raw opinions, hoping more for agreement than argument. There’s a post there right now breaking down the differences between blogging and journalism, as if it matters in the long run. No, in fact, the lines between truth and opinion are too carefully drawn by most. Perhaps HLO represents a more direct bid for TRVTH than does LAVoice, which wears its curious, indignant, bleeding heart on its crisply-pressed sleeve. In the end, these are all just digits projected onto phosphorescent screens – raw information that may spark thoughts in other people, but likely that will fade quickly, leaving no trace when the plug is pulled. The quartz crystals will outlive all of it – every internet user alive today, probably the entire human race, at the rate evolution is going. But who’ll be around to pick them up? Or take a picture of them? Or click on that picture and snicker at the pompous, unself-aware ass who posted it?