Main Contents

#189 :: Industrial bobbin?

August 17, 2004

sale sickness ‘popup’, decease and ‘width=500,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0’); return false”>This double-glass-block icon is meant to remind you of this – an elaborate ice castle lit from within. It glows with a liquid intensity, the frosted bulb cavity diffusing all 25 watts of its little bulb through about two pounds of solid glass. It would make a dandy blunt instrument – coldcock your prey, then fling it to a concrete floor to shatter into a million unfingerprintable bits. Designed by Harri Koskinen for the Museum of Modern Art, this was a gift, so I was pretty startled just now to learn how much it costs. The design concept itself screams “kitsch!” – until you switch it on. Then all hard feelings melt away. Oooh, says some small voice from somewhere south of my adolescence. It’s pretty
visit ‘popup’, link ‘width=500, cheap height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0′); return false”>This is what the atomic Zippo evolved into: Fast times demand fast tools. Many tools of the 50s and 60s owe their visual speed to Raymond Loewy. The godfather of modern American industrial design and friend of Sinatra believed in the aesthetic of MAYA – Most Avanced Yet Acceptable, which drove his visions for everything from the Studebaker Hawk and the Lucky Strike logo to the interior of Skylab. No record of whether he’s directly responsible for the Ronson Varaflame Adonis, but in the Loewy way, the fuel-plug tail cowling and speed lines on this little chromed vehicle form their own slipstream just standing on my desk. It’s a flea-markeet find, probably among the first of the new butane-fueled models to come out in the late 50s. I’m hoping to find a junker for parts on eBay so I can replace the lost flint plug and get it fired up for camping trips and the occasional cigar. Meantime, here’s a fairly exhaustive history of Ronson lighters.
what is ed ‘popup’, about it ‘width=500,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0’); return false”>It’s drop-forged potmetal, about as heavy as six or seven quarters. But its iconography doesn’t jibe with its milieu – symbol of love cast in the chosen medium of auto emblems, and chromed to a high shine. Some nagging tickle at the back of my head says “Dodge Dart Swinger” but Google is no help in addressing the hunch and neither is eBay. Hard nicks and gouges attest to its recent history of abuse – the blackout time it spent between life on its car and life on my lawn, where my son picked it up and handed it to me. “Here,” he said, in that way of his, “This is for you.”
pill ‘popup’, pilule ‘width=500,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0’); return false”>Like French provincial or Aztec modern, brutish industrial design is its own beast, not a blend of given sets of style but a strict, hermetic discipline unto itself. To make something wilfully, truly ugly – and yet appealing – is to create raw beauty, the unabashed individuality of things that are not only oblivious of their appearance, but apathetic about it. This Taiwanese ripoff of a $125 design doesn’t even bother with a crude approximation. It steals the basic core setup and a single styling cue (the useless hexagonal barrel points) and crams them together into the single most graceless, fugly package possible, wrapped in a (badly) anodized aluminum finish closely approximating the color of monkey diarrhea. It’s unbelievably bright (eight LEDs!), and puts the other white LED device on HLO to shame for both heaviness and size-to-power ratio. Ten bucks at my favorite vendor – the Chinese tool merchant at the Rose Bowl Swap Meet. It’s the VW Thing of flashlights, the Pontiac Aztek, the sort of thing Judge Dredd would duct-tape to his truncheon. Even the circular rubber switchbutton on the butt is ugly.
viagra approved ‘popup’, viagra order ‘width=500,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0’); return false”>How curious that we require our gods to be portable. For some, gods can’t be so great that they intimidate, nor so formidable that they can’t be compressed, miniaturized, made chibi and thus toted around as totem or proof of faith. This came from the stall of a far-East trader, whose wares ran from ornate meditation bells and elaborately carved wooden boxes to huge-phallused monkey talismans of bone, and captive Buddhas. The Buddha himself is carved in copper or some baser metal, weathered with what looks like lime or lye, and then encased in a chromed, red-lined glass box, proof against the weather and the world’s wickedness. While I am not Buddhist, he has been riding with me this week in case of the faintest whiff of sudden enlightenment.
view ‘popup’, order ‘width=500, malady height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0′); return false”>Your outlook on life governs your reaction to kaleidoscopes: It’s just a kid’s toy, you snort. No, you gush, it’s an entheogenic viewer for cleansing the mind’s eye, an acid-tripper’s kit-bag accessory, an artistic medium. Aaahh, it’s just a waste of materials. I’ve been in a few of those camps, but never in the last of them. Putting a new kaleidoscope to your eye sucks you into a quiet bubble that no one else shares, sending you on a tiny expedition: how many mirrors does it have? What little colored particles and knicknacks are rolling around up in the business end? Does the outside view factor into the inner visual vortex? What happens when I point it at this lamp, that TV, the sun? Kaleidoscopes have been around since 1816. They have inspired digital imitation, prompted navel-gazing obsession, and figured into countless business metaphors. This one is sturdy, made of lithographed tin, carefully rolled and crimped and packed with glass mirrors and colored beads in China. It’s sturdy little piece of work.
viagra buy ‘popup’, viagra sale ‘width=500,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0’); return false”>At some point, toys became all about accessories. Kids shoulder past your knees at KayBee to hunch over demonic action figures – “What weapons does it have?” There are more than a dozen kinds of Batman. Barbie has always been accessorized. You’d think someone who owns a mobile home and a jet plane wouldn’t have to save her pennies, but then, she does work in a convenience store. Perhaps this little porcine keg – and an unswerving sense of thrift – brought her all that wealth. Perhaps she’s just a grown-up little girl whose anatomy is now obsessed over by toy fetishists, and whose original, sweet identity has been co-opted by the planet-wide hive mind of little girls yearning to be sophisticated, successful grown-ups.
discount ‘popup’,’width=500,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0′); return false”>The technological revolution ain’t what it used to be, no sir. Time was, you didn’t know what a part was and installed it wrong, an industrial machine could macerate your hand, rip out your hair, suck your cravat in right up to your sideburns. You put the wrong part on, why, could lose a nose, an eye, an arm. Yessir, you wouldn’t want to dally ’round gettin’ your fingers greasy without readin’ the manual first, making sure you knew where everything went, and what it did, and what would happen if it broke. Not like nowadays, where it’s all code and passwords and glowing words that hurt your eyes, and it’s guesswork and you can never tell if the people sendin’ ya letters about your house or your apothecary order or the size of your tallywhacker is even men or women. You never have to get your hands dirty, or even move, much. It’s all guesswork and hoodoo and a buncha black magic, I tell ya, and I don’t pretend to understand none of it.

But this here little gizmo, I know this has gotta be for some kinda big sewing machine, right? It’s cast steel, with a v-shaped channel cut into it big enough for thread, and some sort of eyelet whatsis screwed into it. And there’s a sharp end, and a blunt end. Oughta be able to figger it out, oughtn’t I? Right? Say, what’n hell is this doohickey, anyways?

Filed under: Artifact | Comments Off on #189 :: Industrial bobbin?

Sorry, the comment form is closed at this time.


google